Visit Website | Print & File PDF (Members)
The 2009 edition of Wolda, the Worldwide Logo Design Annual, is now calling for entries.
Wolda is the high-profile award scheme that rewards the best logos and trademarks designed throughout the world, and the only award scheme in the world endorsed by over 100 international design associations and schools.
Participation [...]

Filed under: DG magazine 132 |

Visit Website | Print & File PDF (Members)
The annual showcase of the artistic achievements of VCE Art and Studio Arts students will be on display at The Ian Potter Centre: NGV Australia from 25 March, 2009 in Top Arts: VCE 2008.
Now in its 15th year, this free exhibition is hugely popular with VCE students, teachers, [...]

Filed under: DG magazine 132 |

View Article | Visit Website
The Australian Centre for the Moving Image (ACMI) presents an exciting new exhibition, Setting the Scene: Film Design from Metropolis to Australia. Until mid April, this exhibition examines the great achievements in film design in a fascinating display of what goes on behind the scenes. The work of film production designers, [...]

Filed under: Galleries |

View Gallery | Visit Website | Print & File PDF (Members)
A behind the scenes look at international cinema is put on show in this fascinating exhibition celebrating production design, some of which is exclusive to Australian audiences. Kate McCurdy reports.
The Australian Centre for the Moving Image (ACMI) presents an exciting new exhibition, Setting the Scene: [...]

Filed under: DG magazine 132 |

View Gallery | Visit Website | Print & File PDF (Members)

‘I always try to find ways of manipulating reality to accentuate the central focus of the film. I’ll exaggerate certain details and discard others.’
- Dante Ferretti
Film Production Design is being celebrated at the Australian Centre for the Moving Image (ACMI) in its current exhibition Setting [...]

Filed under: DG magazine 132 |

Andreas Gursky was a first for not only the National Gallery of Victoria, but also Australia, as this was the only Australian venue to host the first major exhibition of Gursky’s work in this part of the world. The exhibition from the Haus der Kunst in Munich included twenty-one of Gursky’s major works, hand-selected by [...]

Filed under: Galleries |

In the mid 1980s Gursky began to develop his own style away from the Becher model, most notably by choosing to photograph in colour. However, his work to this day continues to have strong sense of the artist’s objective, observatory and distanced approach to photography.
For example, one of his most recent works, Pyongyang I (2007), [...]

Filed under: DG magazine 132 |