Learn the inner workings of retail professionals at MSFW’s Business Breakfast SeriesMelbourne’s retailers, designers, fashion industry leaders and marketers can access a wealth of business expertise at Melbourne Spring Fashion Week’s (MSFW) Business Breakfast Series, proudly presented by the Victorian Government and the City of Melbourne.

Running from Monday 30 August through to Friday 3 September, the seminars will be based on the “Good Book of Retail”; hosting knowledge-focused, educational forums, drawing together retail experts, brand managers, designers, creative industry business leaders and marketers.Volume 2010 begins with Chapter One which talks about Melbourne as a customer service city and examines how Melbourne ranks in human factors, what dynamics and innovations are changing business outlooks and how consumer driven culture can make a difference to success. Chapter Two focuses on the description of retail, examining consumer changes and new retail models. Chapter Three notes that caring is the latest fashion statement, asking how the new feel good retail hybrid manifests infashion and retail, and what role retail can play in social conscience. Chapter Four invites guests to collaborate, highlighting the benefits of sharing recourses to inspire and offer a different look at retail possibilities. While the final event – Chapter Five – is all about the unexpected, it also discusses the evolution of retail,highlighting the consumer’s power to embrace everything from new innovations to limited edition, bespoke, artisan and handmade products. City of Melbourne Acting Lord Mayor Susan Riley said “Fashion, retail and design are synonymous with Melbourne and its stylish reputation rests on our ability to generate ideas and creative energy.’’The MSFW Business Breakfast Series offers a great opportunity for people to harness our city’s ideas and creative energy and putthem to good use in their own business endeavours.” The events will be hosted by some of the city’s most well respected industry professionals, see the full list here.

See more here

Sinead O’Connor, John Cale, Robert Lepage, Jack Charles, Hotel Pro Forma, Michael Clark Company, Thomas Adès, Toneelgroep Amsterdam, Akram Khan Company, The Black Arm Band & Beck’s Festival Bar

The 25th Melbourne Festival, and the second under the artistic direction of Brett Sheehy, announces a dynamic and emotive program of work from some of the finest creative minds of our times. Over 16 days, from 8 to 23 October, the Festival presents an unparalleled feast of music, dance, theatre, opera, visual arts, multimedia and outdoor events from renowned and upcoming Australian and international companies and artists.

Festival highlights this year include free outdoor aerial spectacular K@osmos; Hotel Pro Forma’s awe inspiring, large-scale operatic spectacle, Tomorrow, in a year, featuring the groundbreaking music of electro-pop masters The Knife; world renowned recording artists Sinead O’Connor (in her exclusive Australian performance), John Cale and Meshell Ndegeocello; one of Australia’s most highly regarded performers in his one-man show, Jack Charles V The Crown; the residency of British composer, Thomas Adès, the most inventive contemporary composer of his generation. As part of the Melbourne International Arts Festival: Beck’s Festival Bar at the Forum Theatre, will be featuring some intriguing acts: Boredoms (Japan), Low (USA), Ponzu Island (Australia), The Drones (Australia), Dead Meadow (USA) and more.

Boredoms

Ponzu Island

The Festival features two Australian premieres. come, been and gone, the bold new dance work from the world renowned Michael Clark Company featuring the music of the legendary David Bowie with Lou Reed, Iggy Pop and Brian Eno and internationally revered director, film maker and actor Robert Lepage’s  magical journey to modern China with The Blue Dragon, a heart-wrenching love story told with Lepage’s trademark striking theatrical vision.

Come, Been and Gone, Simon Williams, Photography: Jake Walters

The Festival closes with a one-off spectacular finale, Seven Songs to Leave Behind, a unique concert featuring international music legends Sinead O’Connor, John Cale, Meshell Ndegeocello and Rickie Lee Jones, with award winning Indigenous artist Gurrumul Yunupingu and festival favourites Black Arm Band and Orchestra Victoria at the Sidney Myer Music Bowl on Oct 23.

For more info see the festival site here

During September in select cinemas around Australia, Madman presents REEL ANIME 2010, showcasing five of the freshest anime feature films this side of Tokyo.

Following the sold-out success of the 2008 Showcase, which featured ‘The Girl Who Leapt Through Time’ and ‘Appleseed: Ex Machina’, this latest crop of films has something for everyone: from the rebuild of the Evangelion universe, ‘Evangelion: 2.0 You Can [Not] Advance’ and ‘Evangelion: 1.0 You Are [Not] Alone’; the masterful storytelling of ‘Summer Wars’ (from the director of ‘The Girl Who Leapt Through Time’); the adrenaline fueled ‘Redline’; and the thrilling ‘King Of Thorn’.

Summer Wars, Reel Anime 2010

Redline, Reel Anime 2010

King Thorn, Reel Anime 2010

Evangelion: You Can [Not] Advance, Reel Anime 2010

See more at Madman

AWARD, Australia’s pre-eminent creative industries body, has announced changes to its 2011 awards programme. AWARD, the Australasian Writers and Art Directors Association, counts some of the finest creative minds from Australia, New Zealand and South East Asia amongst its members. It is a non-political, non-profit organisation that aims to set standards of creative excellence, to promote creativity in the business arena, and to educate and inspire the next creative generation.

“As champions of commercial creativity, AWARD aims to raise standards of creative excellence across a range of disciplines – emerging as well as established,” said Craig Davis, AWARD Chairman.
“In the annual AWARD show, we can create more space and opportunity to recognise and celebrate great creative work, reflecting how the marketing and communications industries have evolved and are evolving.”

Accordingly, several new categories have been created for 2011, including music video, applications, social media, environmental design, and branded content. As well, a new award for Creative Innovation will challenge entrants to contribute a solution that defies convention. It is anticipated that the award will draw unexpected ideas from industries both connected to, and beyond, advertising.

“Creativity is a prerequisite of commercial success and of prosperity,” said Craig Davis. “We believe it is the single most valuable asset for business today, and that through inclusiveness and collaboration, that value can only increase.”

The AWARD 2011 Call for Entries will be launched in coming days. The AWARD show will take place on March 11, 2011, as part of the Creative Festival taking place from 9-11 March.

See the AWARD site for more information.

The Australian Centre for the Moving Image, in association with the Goethe-Institut, presents - Berlin on Film
Thursday 4 November – Monday 8 November 2010

To coincide with the Berlin Dayz cultural festival and the twentieth anniversary of the reunification of Germany, the Australian Centre for the Moving Image (ACMI) presents a program of films devoted to the country’s capital in Berlin on Film this November.

Berlin has a unique rhythm which infuses its architecture, its culture and its citizens. This filmic celebration of the historical city brings together six documentaries; from the challenges of a country divided, to the process of reunification and the infinite possibilities of a Berlin without borders.

ACMI Film Programmer Kristy Matheson, with the assistance of the Goethe-Institut, has composed a program which reminds us of the challenges Berliners overcame and the sense of euphoria of reunification. “With a remarkable and catastrophic history, Berlin has played many roles throughout the 20th century, emerging in the new millennium as one of the world’s most fascinating and enduring cities,” she said.

The program opens with Rhythm Is It (2004), directed by Thomas Grube and Enrique Sánchez Lansch, which intertwines music and contemporary dance in an ambitious project by Conductor Sir Simon Rattle, the Berlin Philharmonic, choreographer Royston Maldoom and 250 young Berliners from disparate ages and backgrounds. Their performance of Stravinsky’s Rite of Spring is a joyous and inspired tale of triumph over adversity. The screening precedes the Berlin Philharmonic’s visit to Australia this November.

Rhythm Is It (2004), ACMI: Berlin on Film 2010

Former East German model turned director Marco Wilms presents an exciting portrait of youth in revolt and subversive creativity in East Berlin in Comrade Couture (2009). Inspired by new wave and punk fashions from the West, East Berliners took to crafting their own fashions – turning their limited materials to an advantage and parading avant-garde creations made from plastic, bed sheets and disused medical supplies. As one of East Germany’s most daring stylists, Frank Schäfer, puts it in the film; “A tiger in a cage is much wilder than a tiger that is free to roam.” Drawing on personal memories, interviews and extensive archival research, Wilms offers a unique view of this heady artistic outpouring under ever watchful Stasi eyes.

Wilms’ earlier Berlin Vortex (2003) taps into the wave of euphoria among youth in the Eastern block prompted by the reunification of Germany in 1989. With the wall down and capitalism still at bay, young Berliners occupied empty residences and began preparing for their futures bringing change through art and social programs. Featuring celebrated choreographer Sasha Waltz, Jochen Sandig, Christian Lorenz of ‘Rammstein’ fame, social workers and still struggling artists, Wilms’ discovery of what became of five citizens and their utopian dreams for the new Berlin is as fascinating and diverse as the city itself.

The director of Comrade Couture and Berlin Vortex, Wilms will be in Melbourne for the season.

Scored by Einstürzende Neubauten and featuring internationally acclaimed architects, Rem Koolhaas, Renzo Piano and I.M. Pei, Berlin Babylon (2001) offers a rare glimpse into an international city, under construction. In a post-wall era, Berlin found itself as a metropolis in great need of physical change to fully realise the promise of reunification and to repair the destruction the 20th century had wreaked upon it. With its astonishing aerial photography and subtle verite style, Hubertus Siegert’s film has a dreamlike quality that allows the viewer to float above and wander through of one of the world’s great cities as it transitions into the future.

A heartfelt declaration of love to a city and its people, In Berlin (2009) traces the changes that have taken place in the twenty years since the demolition of the Berlin Wall. Featuring a vast array of Berliners including, actor Angela Winkler, Alex Hacke of Einstürzende Neubauten, architects, fashion designers, performers and store owners, long term Scorsese cinematographer Michael Ballhaus and co-director Ciro Cappellari have crafted a visually stunning and engaging portrait of one of the world’s most lively and creative hubs.

In Berlin, Rhythm Is It, Berlin Babylon and special guest director Wilms’ films Comrade Couture and Berlin Vortex, will all be introduced by Berlin-based film critic and radio journalist, Carsten Beyer.

The bustling streets of 1920’s Berlin are writ-large in the entrancing Berlin: Symphony of a Great City (Berlin: Die Sinfonie der Grosstadt) (1927). Like other famous ‘city films’ such as Man With the Movie Camera, director Walter Ruttmann’s portrait of Berlin is a dynamic mix of man and machine, social norms and daily life, a captivating vision of Berlin between the wars. This black and white silent treasure will enjoy a free screening on the big screen in Melbourne’s Federation Square.

Berlin: Symphony of a Great City (Berlin: Die Sinfonie der Grosstadt) (1927), ACMI: Berlin on Film 2010

Berlin on Film is programmed as part of Berlin Dayz, the German-Australian Festival coordinated by the Goethe-Insitut in celebration of the 20th Anniversary of Germany’s reunification. Berlin Dayz events will be held across Australia throughout October and November to coincide with the official Day of German Unity (Tag der Deutschen Einheit) on 3 October, this year being hosted by Bremen in the country’s North West. Operating from its Melbourne base, Berlin Dayz events are designed as a dialogue between two cultural capitals: Berlin and Melbourne.

Berlin on Film will screen at ACMI from Thursday 4 to Monday 8 November, 2010
More here

Alex Prager, Desiree

MoMA’s annual photography series highlights four contemporary artists with new photography in 2010
U.S. Debut of Alex Prager’s Despair (2010) and Elad Lassry’s Untitled (2009) Marks the First Time Film Has Been Included in a New Photography Installation
New Photography 2010: Roe Ethridge, Elad Lassry, Alex Prager, Amanda Ross-Ho
September 29, 2010—January 10, 2011
The Robert and Joyce Menschel Gallery, third floor

NEW YORK, August 23, 2010—For New Photography 2010, The Museum of Modern Art highlights four artists in its annual showcase of significant recent work in contemporary photography. The exhibition is on view from September 29, 2010, through January 10, 2011, and features the work of Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross-Ho, all of whom engage photography as a medium with fluid borders between editorial work, film, and art. Their pictures—shot in the real world, posed in the studio, or culled from pop culture and the movie industry—constantly shift contexts, often circulating from the magazine page to the wall. New Photography 2010 is organized by Roxana Marcoci, Curator, Department of Photography, The Museum of Modern Art.

Since its inception in 1985, the New Photography series has introduced the work of over 70 artists from 16 countries. The Museum continues this tradition of highlighting significant accomplishments in contemporary photography with this year’s edition featuring four artists and 36 works of photography and film.

“These artists engage in a kind of post-appropriative practice,” explains Ms. Marcoci. “If in the 1970s Richard Prince questioned notions of originality by rephotographing advertising images and presenting them as his own, this younger group of artists reinvest in photographic authorship, creating pictures that often exist simultaneously as commercial assignment and artwork. They recognize photography to be a fluid medium.”

See more at MoMa

Semi‐Permanent a celebration of all things art and design is back in 2010 to inspire Melbourne’s thriving creative community yet again. While some may think it’s the forum where design nerds gather to fight against the evils of Comic Sans, Semi‐Permanent offers an eye‐opening insight into the broad streams of design, and where those varying crafts can take you.
Designed to inspire and educate, renowned artists and specialists in their field will come together at the Melbourne Convention Centre on Friday 17 September and Saturday 18 September to share their knowledge and passion for their work. Semi‐Permanent Melbourne 2010 boasts a line‐up of 12 speakers including newly announced Simon Allen from Academy Award winning animators Pixar, photographer Claire Martin, Art Director for Girl Skateboards Andy Jenkins, UK post production house Framestore, Melbourne based visual artist Leif Podhajsky and creative agency and artists representatives Big Active.

Buck, Semi-Permanent 2010

Brought to life by Sydney’s Design is Kinky, Semi‐Permanent is a conference which unites exceptionally talented artists and designers to speak at a conference which sits within a broader program of side events including exhibitions, workshops and parties. “It’s not only our speakers that make the event special. It’s the atmosphere and spirit that the audience brings with them,” said Design is Kinky’s Andrew Johnstone. “It’s a casual atmosphere where new friends are made and new colleagues discovered. It’s this that sets Semi‐Permanent apart from other conferences, a shared feeling that you belong to a community.”

Now in its eighth year and with 22 conferences under it’s designer belt, Semi‐Permanent is the internationally acclaimed conference of its kind, year on year, proving an exciting line‐up of talented speakers spanning the art, film, motion graphics, illustration, photography, and visual effects disciplines.

Framestore, Semi-Permanent 2010

Semi‐Permanent is on at the Melbourne Convention and Exhibition Centre on Friday 17 September and Saturday 18 September 2010. The official program is yet to be released but for regular updates and tickets check here

Cheddar Jalapeno Cheetos with Geraldo Features, colored pencil on paper, 30 x 22 in.  (76 x 56 cm.), 2009

Eric Yahnker was born in Torrance, California. He received his B.F.A. in animation from the California Institute Of Arts and studied journalism at University of Southern California.  Recent solo exhibitions include Nervous Surf, Galerie Jeanroch Dard, Paris, Naughty Teens/Garbanzo Beans, Ambach & Rice, Seattle, Piano Man (For Guitar), Jack the Pelican Presents, Brooklyn, and Dolly Parton Behind A Tree, Kim Light Gallery, Los Angeles.  His next solo exhibition will be at Kunsthalle L.A., Los Angeles, January 2011.  He currently works and resides in Los Angeles, California.

[[Show as slideshow]]

See more of Eric Yahker’s work here

International interest in the sophisticated and aesthetic visualization of complex information made Data Flow a bestseller. Today, more and more graphic designers, advertising agencies, motion designers, and artists work in this area. New techniques and forms of expression are being developed. Consequently, the demand for information on this topic has grown enormously.

Data Flow 2 expands the definition of contemporary information graphics. The book features new possibilities for diagrams, maps, and charts. It investigates the visual and intuitive presentation of processes, data, and information. Concrete examples of research and art projects as well as commercial work illuminate how techniques such as simplification, abstraction, metaphor, and dramatization function. The book also includes interviews with experts such as The New York Times’s Steve Duenes, Infosthetics’s Andrew Vande Moere, Visualcomplexity’s Manuel Lima, ART+COM’s Joachim Sauter, and passionate cartographer Menno-Jan Kraak as well as text features by Johannes Schardt about the challenges in creating effective information graphics and about the relationship between complexity, clarity, content, and innovation.

Offering practical advice, background information, case studies, and inspiration, Data Flow 2 is a valuable reference for anyone working with or interested in information graphics.

See more at Gestalten

Originally from the west coast of North America, acorn has been working and living in Melbourne for more than two years. With a focus on traditional mediums he has spent most of his drawing time developing his craft with an ensemble of pens and inks. The characters and patterns in his work stem from no single culture or religion, but are part of an ongoing focus for creating something unique all together. An endless task.

Planetes, Acorn

Planetes, Acorn

No Vacancy Gallery
34-40 Jane Bell Lane, QV, Melbourne
Opening night: Thursday 12th August: 6:00pm ‐ 9:00pm
Exhibition Runs Untill: 12th – 22nd August
Trading Hours:
Monday: Gallery Closed
Tuesday – Friday: 11:00am – 5:00pm
Saturday: 11:00am – 5:00pm
Sunday: 12:00am – 5:00pm