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20th Century Travel

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A lush visual history of the Golden Age of travel

The metabolism of travel changed more in the last century than in the previous half-millennium, a stunning transformation triggered by American wanderlust. In less than 100 years, the U.S. mass-produced the automobile, invented airplanes, freeways, motels, even sent men to the Moon. Travel grew ever faster and easier. Above all, it was democratized — enabling millions to explore distant lands, or see their own more fully.

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At the start of the 20th century, only people with extensive disposable income and time to spare could enjoy leisure travel. By the century’s end, journeys took hours, not days, and mass travel — especially brief air flights — became the new normal. Along the way, ocean liners broke speed records, aerodynamic trains roared down the tracks, stylish boat-plane clippers evolved into jumbo jets. Whether aboard high-speed locomotives or ships, jets, or Greyhound buses — or when setting their own schedule on the open road — Americans demanded ever greater mobility and wider choice of destinations, thereby setting a new standard for travelers around the world.

A lush visual history of international wanderlust, this volume features 400-plus print advertisements from the Jim Heimann Collection, that illustrate the evolution of leisure travel — from domestic to global, exclusive to popular, exotic to standardized — and its crucial role in American culture.

With an introduction, decade-by-decade analysis, and  an illustrated timeline, this book highlights the cultural and technological developments that transformed travel from a cushioned journey of the elite into a convenient leisure pastime for the general public. 20th Century Travel takes us on a grand tour of travel’s golden age.

See more at Taschen

Semi-Permanent, Melbourne 2009

Semi-Permanent, Melbourne 2009

Semi-Permanent Melbourne 2009 Montage from Semi Permanent on Vimeo.

Missed Semi-Permanent this year? See the video montage from Melbourne above, and click here for Sydney.

Via Semi-Permanent

Art & Copy

Art & Copy

Art & Copy, the new documentary directed by Doug Pray (Surfwise, Scratch, HYPE!), gives ‘behind the scenes’ access to the advertising industry, and interviews with some of its key players, including: George Lois, Mary Wells, Dan Wieden, Lee Clow, Hal Riney.

“When I began making ART & COPY back in 2005, it seemed like a significant departure from my previous documentaries. Instead of dark clubs, back alleys and truck stops, I was now filming in light-filled, architecturally breathtaking West Coast ad agencies and pristine New York City penthouses. Instead of underground artists and angry independents, I was interviewing people who were worth millions and were pioneers of an industry that literally defines mainstream culture. Now that the movie is finished, I see more similarities than differences. My subjects in ART & COPY, though dressed in finer clothes and a few decades older, have actually exhibited a rebellious voice not unlike the graffiti writers or screaming rock singers I’ve shot in the past, even though they’re working from deep within the system. They still regard themselves as underdogs. They think they are misunderstood by society. They’re all fiercely independent mavericks. But mostly, they too have a personal message—one that transcends the commercial messages they create—that seemingly has to get out. Like my other films, this ad film is about the innate human urge to express oneself creatively” – Doug Pray

For more information on Art & Copy, click here.

2009 MADC Awards

Entries are open from 22 April 2009 for the Melbourne Advertising and Design Club’s (MADC) prestigious 2009 MADC Awards.

The MADC is Australia’s oldest advertising club, established in 1955, and is ‘dedicated to raising the creative and professional standards of the advertising and design industry.’

The judges this year include Jonathan Kneebone of The Glue Society, who has been named Chairman of Judges. He will lead the team in selecting the best and most creative work from Melbourne’s advertising and design community.

Speaking of the MADC Awards, Jonathan commented that ‘the work that is genuinely the freshest always seems to be the work that’s most rewarded. And politics always seems to step aside for actual talent. I’m looking forward to being part of what it already shaping up to be a great year for Victorian agencies.’

Jonathan is a writer/director at The Glue Society, an independent creative collective he co-founded in 1998 with Gary Freedman. The Glue Society now featured 10 writers, designers and directors working out of offices in Sydney and New York.

Entries for the 2009 MADC Awards close Wednesday 27 May, with judging conducted in early July. This year’s winners will be revealed at the 2009 MADC Awards held at Atlantic, Pier 14 on Central Pier, Docklands, on Friday 28 August, 2009.

For further information on MADC or the MADC Awards visit www.madc.com.au or contact Katherine White, MADC Club Manager on 61 3 9645 6500 or email to info@madc.com.au