Playful Type 2: Ephemeral Lettering and Illustrative Fonts
Edited by R. Klanten, H. Hellige, J. Middendorp

As much as one loves sticking to their favourite typefaces whether it be Meta, Helvetica, Futura, etc – there is still that unresistable urge to create or use something experimental. Playful Type 2 takes you through a wonderful collection of illustrative typography, as a reminder of how type can be represented through different materials and personal styles.

Playful Type 2 includes work by:
Christophe Szpajdel; Seb Lester; Jonathan Zawada; Leslie David; Alex Trochut; Jessica Hische; Leslie David; Luke Lucas; Marian Bantjes; Peter Lundgren; Siggi Eggertsson; Stefan Sagmeister; Voidwreck; more.

More at Gestalten

In addition to his work as editor of Playful Type 2, Jan Middendorp has contributed insightful texts and interviews with leading typographers that explore current developments. Middendorp is a well-known author, publisher, and consultant, who has focused on typography since the mid 1990s.

Title: Playful Type 2
Subtitle: Ephemeral Lettering and Illustrative Fonts
Edited by: R. Klanten, H. Hellige, J. Middendorp
Price: € 39,90 / $ 60,00 / £ 37,50
Format: 24 x 28 cm
Features: 224 pages, full cover, hardcover
ISBN: 978-3-89955-318-5

For anyone who picks up a Sydney Festival brochure, browses the website, Facebook and blog, or catches a glimpse of a Festival banner on George Street – it’s all about Marcela Restrepo! Restrepo is responsible  for all the beautiful illustrations of Sydney houses, parks, buildings,  icons, and of course, those sulphur-crested cockatoos. A left-handed illustrator, Restrepo finds inspiration in the blend of nature and city that the Sydney landscape offers. But the main ingredient in her work is everyday life where ideas come from a trip to the shops, and seeing an antenna covered in a flock of native birds.

Restrepo started out in web and graphic design before a short course in illustration with Christopher Nielson opened up a new creative path. Introduced to the Festival by Saatchi Design  (who have done the overall design and branding for the 2010 and 2011 Festivals), Colombian-born Restrepo is now based in Sydney’s inner west, and clearly loves a lot about Sydney. Restrepo’s work features many things that are intrinsic to Sydney, and is characterised by warmth, naiveté and freedom.

See more of Marcela’s work here
Sydney Festival 2011 runs January 8 – 30, more info on what’s on here

Craig Redman is an Australian born artist living and working in New York. His work is filled with simple messages executed in a colourful, bold and secretly optimistic way. He works in many mediums, specializing in illustration, typography, pattern design and character design.

Darcel Shopping Bag

Melt

With Rinzen (a collective, formed with 4 friends in 2000), Craig has had 2 books published and has exhibited across the world, notably at the Musée de la Publicité, Louvre, Paris. He has worked with clients such as LVMH, Nike, Apple, Vogue, Converse, MTV and The New York Times.

Hungry Eyes

His blog, Darcel Disappoints, often collaborates with Parisian superstore colette and in Spring 2010 he opened a solo exhibition there, titled ‘And a miserable day to you too’.

See more of Craig’s work here

Saturday 11 December
11am-4pm. City Library (253 Flinders Lane, Level 1 gallery)

Image: Cat Rabbit, Christmas Card, $5 at December Craft Hatch.

The Craft Hatch market is the perfect place to pick up a unique Christmas card, gift or stocking filler, like one of these screen printed Christmas cards by local label CatRabbit.

A market veteran with a practice encompassing soft toys and jewellery, CatRabbit has developed a dedicated following over the last five years. Every

Christmas the label produces a limited edition set of cards printed with the Japanese Gocco Screen Printing machine.

The Happy Christmas Bear card sells for $5 and is printed on recycled paper using the Gocco screen printing inks. The cards are sold in a limited edition of 100, so you can rest assured they are as rare as that special someone in your life.

The Craft Hatch market is a one stop shop for locally designed homewares, jewellery, clothing and accessories. Every market presents a newly curated selection of the best emerging craft and design.

Also exhibiting at Craft Hatch in December are: Ellka Design, Erica Bramham, FUNKYWOMBAT textiles & The Curious Girl, Genna Campton, Goldenink, Gwendoline Page, Handmade Life, Jaylene Falkner, Rose Megirian, Rebecca Martin & Aldis Kossdottir and Urthly Organics.

Craft Hatch markets are presented by Craft Victoria in collaboration with the City Library on the second Saturday of every month, 11am-4pm. Please note there will be no Craft Hatch market in January.

See more at Craft Victoria

Images R-L: Karim Rashid designs at the RG Madden stand, Modula fir treet at the Büro North stand, Glow in the dark Zip Zips at the Zip Zips stand.

Melbourne’s original pop up design market continues to be the place for style hunters to gather, be inspired and shop.

Since 2005 the Melbourne Design Market has been popping up twice a year for ONE DAY ONLY and transforming Fed Square’s underground car park into designland.

On Sunday December 5, 2010 there’ll again be a diverse collection of over 50 exhibitors from small design brands just launching to well-known and much-loved brands all showcasing their latest and greatest. Plus the cool sounds of DJ Madee River, fine fair-trade barista coffee from Bean Ground and Drunk and fantastic paella from the Beer de Luxe on-site kitchen all add to the party atmosphere.

So come along, experience Melbourne’s best design market and you can even knock over your Christmas gift buying in just one day.

MELBOURNE DESIGN MARKET 10am-5pm, Sunday December 5 at Federation Square undercover car park.

Enter via Russell Street extension or Riverside Walk.
Disabled parking and facilities nearby.
Entry is free.

More info here

See more here

EXHIBITION DATES
2 December 2010–28 February 2011
Sofi’s Lounge, Level 1 Sofitel Melbourne On Collins
25 Collins Street, Melbourne VIC 3000

Moses Tan © 2010

Moses Tan is an educator, photographer, graphic artist and designer with a wealth of experience behind him. He divides his time between teaching and time spent in front of the computer, creating work for exhibition or for a growing clientele. Tan has had a twenty year association with Box Hill TAFE delivering short courses which include “Photoshop for Photographers” and “The Complete Digital SLR Camera Course.” An ardent traveller, Moses has had regular exhibitions of his travel photographs since the early eighties, much of which has also been published in travel journals. These include “An Italian Journey” and “Journey to Jerusalem.” Illustrator is the software that he uses to create complex but timeless images of urban landscapes of here and from abroad.

Moses Tan © 2010

“‘Of a Time and Place in Australia and Japan’ is a celebration of two great countries, two neighbours, two friends and trading partners, both located on the Pacific Rim. The first of these, I have called home since 1968 when I arrived here as a student. The second, I had the opportunity to visit for the first time in 2008 – hopefully it won’t be the last. However, I must point out that I have had a long-standing love affair with Japan and all things Japanese – my first three exhibitions were of haiku-inspired photographs”

Moses Tan © 2010

“Of a Time and Place” is, in a sense, a collection of “postcards” – albeit, large ones. Like most good postcards, they are a retroactive view of the present.  The camera is an instrument par excellence in the search for images pregnant with meaning, and of places that reek of the past. But as Susan Sontag so succinctly puts it, “a way of certifying experience – by converting it into an image, a souvenir – is also a way of refuting it.” In our image-choked world, where a touch of the finger suffices to confer immortality to an experience, I think it is important to slow down and to really see. And when one draws one can claim to really see. The real instrument of my choice is Adobe Illustrator, a vector-based computer program. “Of a Time and Place” pays homage to the great cities of Melbourne, Sydney, Tokyo and Kyoto, but it is no mere document of urban life, nor is it a record of famous sights. To borrow a phrase from Peter Quartermaine on Jeffrey Smart, I am interested in “the familiar world in which we have lived for so long, but whose beauty we could not or would not see.” This exhibition owes much to Hiroshige’s monumental “One Hundred Famous Views of Edo,” Eugene Atget’s old Paris and Berenice Abbott’s changing New York.  I hope that my images, like theirs, go beyond documentation, and become poetic utterances of places and time, all given permanence by drawing” – Moses Tan

Moses Tan © 2010

A lush visual history of the Golden Age of travel

The metabolism of travel changed more in the last century than in the previous half-millennium, a stunning transformation triggered by American wanderlust. In less than 100 years, the U.S. mass-produced the automobile, invented airplanes, freeways, motels, even sent men to the Moon. Travel grew ever faster and easier. Above all, it was democratized — enabling millions to explore distant lands, or see their own more fully.

At the start of the 20th century, only people with extensive disposable income and time to spare could enjoy leisure travel. By the century’s end, journeys took hours, not days, and mass travel — especially brief air flights — became the new normal. Along the way, ocean liners broke speed records, aerodynamic trains roared down the tracks, stylish boat-plane clippers evolved into jumbo jets. Whether aboard high-speed locomotives or ships, jets, or Greyhound buses — or when setting their own schedule on the open road — Americans demanded ever greater mobility and wider choice of destinations, thereby setting a new standard for travelers around the world.

A lush visual history of international wanderlust, this volume features 400-plus print advertisements from the Jim Heimann Collection, that illustrate the evolution of leisure travel — from domestic to global, exclusive to popular, exotic to standardized — and its crucial role in American culture.

With an introduction, decade-by-decade analysis, and  an illustrated timeline, this book highlights the cultural and technological developments that transformed travel from a cushioned journey of the elite into a convenient leisure pastime for the general public. 20th Century Travel takes us on a grand tour of travel’s golden age.

See more at Taschen

Gestalten.tv podcast featuring Established & Sons and the designers and artists behind the ‘Design Against the Clock’ show during London Design Festival 2010.

“Established & Sons hosted a series of exciting installations and events during London Design Festival, including a pop-up Gestalten book shop. So while we were on location, Gestalten.tv also documented the design process and interviewed some of the designers and artists – among them Committee, Richard Woods, Gavin Turk and Tord Boontje – using their vision and energy as well as their own bare hands to design against the clock.”

Source:Gestalten
See more at Gestalten here

The Melbourne Design Market is a one of its kind event that continues to be the place to be and be seen. For stallholders it provides the opportunity to get your new products and ideas out to over 10,000 stylehunters in just one day. Since 2005 the Melbourne Design Market has been popping up twice a year and transforming the Federation Square Car Park into a design show presenting some of this country’s greatest creative enterprises.

For shoppers the Melbourne Design Market is the place to see a fantastic array of merchandise, acquire the latest must-have pieces and enjoy the party-like atmosphere. For successful stallholders it’s a day of sales, orders, and most of all, meeting new clients and receiving valuable feedback on your business.

Do you have a new product or idea that you want to get to the people who’ll appreciate it? Then go to www.melbournedesignmarket.com.au now to look through the FAQs and make your application.

Distinguishing the Melbourne Design Market from all others is a rigorous selection procedure for prospective stallholders to ensure the quality and diversity of the products on offer. Given that it’s such a successful forum to launch new products, the market receives many more applications than can possibly be accepted.

APPLICATIONS CLOSE 5PM FRIDAY October 15, 2010

More information here